one year
has come
but not yet gone
and you should be
here
not gone,
not lost.
s l o w l y
our happiest memories
become tainted with pain
as time comes by
to steal our lives
and break our hearts
but no
this shall be a
happy memory
so I will heal
one
breath
at
a
time
There is a moment
at an intersection
when every light is red
red
red
red
the color of a dressing gown
or a winter hat
with a hole cut in the front
wait
wait
wait
or the walls
or your lipstick
or that secret layer of your skin
stop signs
may encourage you to stop
but only for a moment
green lights
may come and go
but you were meant to stay
stay
stay
stay
tonight
I understood what sylvia plath meant
when she said
“ I am,
I am,
I am.”
We held each other
throughout the night
in case the stars dared
to separate us
It was unlikely
but we couldn’t bear
to take our chances
So our limbs twisted together
and formed a cage where
we kept each other’s secrets
And it was in that
deep, locked away place
between us
where I lost her.
by drowning
in words
i have seen a twisted loneliness
everything a reluctant poison
among surprises
i may be broken
and because of what i never had
what you see
may be
my
dying
dreams
(Source: corduroy-skies)
I will remember this week
when the city that never sleeps was euthanized
and the sea made its presence known
(it didn’t even bother to wave)
I will remember this week because of you
and how I need you to be okay
you,
the girl
with the butterfly lungs
don’t you fly away quite yet.
I could give you
twenty eight reasons
why I shouldn’t wake up tomorrow morning
I could teach you a lesson in drowning
while we walked the length of the water
you
turning over every rock
as if you expected the high tide to bring you a cure
sometimes I feel like bottling up all I am
and tossing myself into the sea
I’m curious if anyone would notice
when I wash up on the shore
after however many years
will anyone be around
to pick me up
and toss me back
or take me home
and maybe it’s just wishful thinking
but I like to pretend
you would swim across the seven seas
explore the twists of every creek
just to find me
and take me home
and let me out
and let me be
let me be
let me be
Even though
your light is golden
the trains are spiralling
out of my control
further and further
away
from the jar I left
on your doorstep
and in it
a single candle
half-gone
and flickering
until it too
goes
out
growing up by the sea
you quickly learn
what it is
they all say –
never turn your back to the ocean
for it knows not
how steady you may not
be
what are the waves trying to say?
the way they
relentlessly
pound the shore
over and
over again
must mean
something.
their lives
barely last a second
yet they follow each other
to the shore
where they crash
and disappear
knowing they will
never be
again.
that must be dedication.
When we were four
Our favourite word was Why
And we smiled
Because we could.
But as time went on
We never stopped waiting
For the night Peter Pan
Would fly us away.
And despite our attempts
To prove to our parents
We were ready to grow up,
We weren’t.
I’ve often wondered
At what age
Do we become old?
When do we stop
Climbing trees
And crying wolf?
And what about those
Who don’t live long enough
To ever be old?
I suppose they find their way
To Neverland.
Certainly,
we can both be in love.
But time calls
and I must leave
to fight our war
Is this goodbye?
Let it be not
For I will die
Of a broken heart
I’m coming home
To stop her with words.
Our final chance
Is here on the train
Beneath the tracks
A door opens,
But she doesn’t notice,
Not at first.
She’s too occupied
With sorrow
To watch the sky.
But look, Alas!
‘Tis what we call peace
Behind the glass.
I’m never leaving you.
The war is over for all of us.
I’m staying with you.
I love you.
This is love, right?
It’s more than that. It’s life.
I’m laughing because I’m not afraid anymore.
Marry me?
Hold me.
Don’t ever leave me.
I won’t.
now,
wouldn’t it be lovely
if I could bottle the sky
if only
for the sole purpose
of perfecting
lonely winter nights
so unlike these?
today
is merely an introduction
to tomorrow
and yesterday
continues to make history
in
our
hearts
and I stand here alone
crowded with pieces of you
questioning everything
that has ever come along
including
the number
seventeen
and the possibility
of an earthquake
all which seemed important
at one time or another
but for now,
I shall not speak
I shall choose
an opportunity
to wait for
tomorrow
and if all else fails
I’ll write to you
and tell you about
the forest
the sky
how sweet the plums are
and how much
i need you
here.
six months
to the day
minute
second.
and why
is it
significant?
perhaps
we tend to mark things
by the time that goes past
because
time
is the
only
thing
that seems
real
in
situations
such as
these
in which
for some
unfair
reason
parts of us
leave
and
s c a t t e r
about
much like
our whispers
afterwards
quietly,
and
everyone
seems
to
hear
what
we
want
to
say
and
what
we
will
say
in
time.